|Castle of Love, from the Pseudo-Heloise Poems, 1475-1483; BL Royal MS 16 F II f.188|
- extant garments of all kinds to look at online
- extant garments fairly easily found for individual, in-person study (after about 1750)
- patterns taken by other researchers of pieces chosen to be either representative or unique
- lush, detailed portraits and genre prints
- works of fiction that describe clothing or show which aspects of it are important to society
- manuals for tailoring and dressmaking
- magazines intended to disseminate fashions and/or sell commercial patterns
If I want to make a gown for 1874, I can be very sure of what was fashionable, what was common, and what was exceptional but within the real of possibility, based on all of the above. Although being used to those kind of sources is helping me here - I'm used to the biased nature of anti-fashion polemics, for instance, so I know when to take descriptions with a grain of salt; I have a handle on what types of stitching and construction were used for a few hundred years, so I have a good sense of what methods are probably too modern for the pre-Renaissance.
You don't get that in the Middle Ages! Scenes in illuminated manuscripts are often small and don't have that much detail. Very, very few garments survive, and they're usually kept in European museums. Textual descriptions are few and far between, and vague. Monumental brasses and effigies were not always made with up-to-date clothing. The research into construction is frequently on individual websites (sometimes really old ones with grainy, small photos) and it can be difficult to tell when someone's interpretations and conclusions are about approximating a "medieval look" and when they're working at likely period solutions.
|"August", from Les Très Riches Heures du duc de Berry, the Limbourg Brothers, 1412-1416; Musée Condé Ms. 65, f.8v|
Textiles and Clothing, c.1150-c.1450. This book goes into incredible detail about fibers, weave structures, types of stitches used, dyes, and more! I never planned to get into making braids and ribbons and such, but I'm tempted. On the whole, having the information about what's been found on extant scraps in archaeological digs makes me feel more secure in making choices aboutwhich stitches and techniques to use in the future.
Edyth Miller's blog, The Compleatly Dressed Anachronist. Edyth is an inspiration, and one of the people who planted the seed of my growing interest in the mid-15th century and points earlier. She's dedicated to primary sources and finding authentic methods and solutions, and it's a treat to read her posts. Katafalk is another inspirational blog, for the same reasons!
Robin Netherton's information on the "Gothic Fitted Dress" of the 14th century, as well as the blog In My Lady's Chamber, which I found through the writer's discussion of fitting the 14th century bust in comparison to Netherton's method, have been helpful in exploring the possibilities and seeing competing hypotheses. While I'm more interested in the mid-to-late 15th and early 16th centuries, it's always important to know what came before and informed the knowledge, skills, and aesthetic sensibilities of the women who made the clothing in your preferred period. (Also I kind of want a nice fitted cote.)
I've also been hard at work pinning primary source images - adding a lot to my 1400-1449 and 1450-1499 boards. And there are still sources out there I've yet to find!
(Welcome to the new and redesigned A Most Beguiling Accomplishment! All old links will redirect to the new URL, don't worry about updating bookmarks or pins.
The next podcast episode is recorded but not yet edited. I hope to take care of that this weekend.)